The exquisite beauty of Chinese cinema
Cinema is one of the loveliest mediums for exploring art and culture, and foreign language film provides a fresh perspective. Should you happen to fancy visiting exotic lands and bygone eras of an evening, Chinese cinema both fits the bill, and is in a league of its own when it comes to art direction and beauty. Why not sample one or two classics of the Chinese silver screen: “In the Mood for Love”, and “House of Flying Daggers”- which afford a glimpse into the elegance of Chinese culture, its humour and style. Best viewed in Chinese, with subtitles.
1. In the Mood for Love. (2000). Director: Wong Kar-wai. Starring: Tony Leung, Maggie Cheung, Rebecca Pang.
Set in Hong Kong in the 1960’s, “In the Mood for Love” captures the mood and grace of Shanghainese communities living in the city during a forgotten and fleeting era. Brought to life through Wong Kar-wai’s careful direction and production, with stellar performances by Maggie Cheung and Tony Leung, the film is an enduring tribute to a particular way of life at that time. The story revolves around two trapped souls and their intertwined fates, superbly and subtly conveyed via the actors’ body language. The poise, elegance and mannerisms embodied by the characters are uniquely Chinese. With little dialogue, emotion is amplified.
Visually, the film is a treat. From the sets and clever cinematography, which make the viewer feel as though they are another ‘neighbour’ catching glimpses of life within; to the costumes and mood of the characters. Maggie Cheung’s wardrobe is another-level sublime, enhancing the sensibility portrayed. The Chinese title of the film is “The Age of Flowers”, an expression used to convey a woman’s age and season in her life, yet here means a time in history. The English title was a happy accident, after the director caught Bryan Ferry’s version of the classic song, and promtly chose it for its sympathetic, slow-motion mood.
Years in the making, “In the Mood for Love” is a masterpiece, and masterclass in filmmaking by Wong Kar-wai. Buy the director’s special edition DVD, for interviews, deleted scenes and an alternative ending (using a taxi and rice cooker icon for navigation). All in all, perfect viewing for an autumn afternoon/evening.
2. House of Flying Daggers. (2004). Director: Zhang Yimou. Starring: Zhang Ziyi, Takeshi Kaneshiro, Andy Lau.
A wuxia film, though essentially a love story, “House of Flying Daggers” depicts a time in ancient Chinese history, characterised by warrior clans and elaborate plots. Boasting the megawatt presence of Zhang Ziyi, Takeshi Kaneshiro and Andy Lau, the film is pure entertainment and a marvel in cinematic beauty. The tale tracks three lovers and their journey through unexpected twists and turns along their destined path. Martial arts scenes are poetry in motion, and the soaring cinematography and backdrops are equally as captivating.
“House of Flying Daggers” is a fast-paced film with little dialogue (little is needed), since performances and art direction steal the show. The film is perhaps less lauded than the earlier “Crouching Tiger, Hidden Dragon” (Ang Lee, 2000), though remains a firm favourite in many quarters. Zhang Yimou is a master storyteller, showcasing multiple elements from Chinese culture, music, dance and costume to produce a cinematic work of art. Delightful to watch of a Saturday evening. Sit back and prepare to be dazzled.
© All rights reserved. Lifestyle Copywriters, Ltd. November 1, 2022.
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